Monday, March 16, 2009
Saturday, March 7, 2009
No Line On The Horizon (U2 with Song Lyric)
The Lyric of No Line In The Horizon below:
I know a girl who's like the sea
I watch her changing every day for me
Oh yeah
Oh oh oh oh oh oh oh
One day she's still, the next she swells
You can hear the universe in her sea shells
Oh Yeah
Oh oh oh oh oh oh oh
No, no line on the horizon, no line
I know a girl with a hole in her heart
She said infinity is great place to start
Oh oh oh oh oh oh oh
She said "Time is irrelevant, it's not linear"
Then she put her tongue in my ear
Oh oh oh oh oh oh oh
No, no line on the horizon
No, no line
No, no line on the horizon
No, no line
The songs in your head are now on my mind
You put me on pause
I'm trying to rewind and replay
Every night I have the same dream
I'm hatching some plot, scheming some scheme
Oh yeah
Oh oh oh oh oh oh oh
I'm a traffic cop, rue du Marais
The sirens are wailing but it's me that wants to get away
Oh oh oh oh oh oh oh
No, no line on the horizon
No, no line
No, no line on the horizon
No, no line
All I Ever Wanted (Kelly Clarkson All I Ever Wanted Lyrics )
Song Lyrics below:
Tear up the photographs
But yesterday won't let go
Every day every day every minute
Here comes the emptiness
Just can't leave lonely alone
Every day every day hey hey
This second-chancin's really getting me down
You give and taken everything I dreamed about
It's time you let me know let me know just let go
All I ever wanted all I ever wanted
Was a simple way to get over you
All I ever wanted all I ever wanted
Was an in-between to escape this desperate scene
Where every lie reveals the truth
Baby cause I all ever wanted
All I ever wanted was you
I'd rather walk alone
Don't wanna chase you around
Every day every day every minute
I'd fall a thousand times
'Fore I let you drag me down
Every day every day hey hey
Your new beginning was a perfect ending
But I keep feeling we've already been here before
It's time you let me know let me know just let go
All I ever wanted all I ever wanted
Was a simple way to get over you
All I ever wanted all I ever wanted
Was an in-between to escape this desperate scene
Where every lie reveals the truth
Baby cause I all ever wanted
All I ever wanted was you
Tell me with so many out there
Why I always turn to you
Your goodbyes tear me down every time
And it's so easy to see that the blame is on me
All I ever wanted all I ever wanted
Was a simple way to get over you
All I ever wanted all I ever wanted
Was an in-between to escape this desperate scene
Where every lie reveals the truth
Baby cause I all ever wanted
All I ever wanted was you
Monday, March 2, 2009
Nick & Norah's Infinite Playlist (2008)
In the big-screen version of Rachel Cohn and David Levithan's popular young adult novel, two high-school seniors fall in love over the course of one eventful evening. A straight bass player in a queercore band, Nick (Juno's Michael Cera) has just been dumped by the two-timing Tris (Alexis Dziena).
He's committed to making more self-pitying mix CDs until his bandmates convince him to help track down a top-secret rock concert. Meanwhile, Norah (Charlie Bartlett's Kat Dennings) and her hard-partying pal, Caroline (Ari Graynor), set off on the same journey. Nora had never met Nick, but she already had a crush on him (While attending the same school as Tris, she's been enjoying the mixes Nick keeps making--and Tris keeps throwing away). When the inebriated Caroline goes missing, they spend the rest of the night racing around the Lower East Side in his Yugo looking for the friend, the show, and trying to avoid Tris (Norah's ex-boyfriend, Tal (Tropic Thunder's Jay Baruchel), presents further complications). Peter Sollett's follow-up to Raising Victor Vargas aims to please several audiences at once. It starts out like a less dirty-minded Superbad, morphs into a post-millennial After Hours, and ends as a Big Apple take on Before Sunset. It's sweet and funny, but could use more of its own identity, though Cera and Dennings make for an appealing couple and the supporting performers, especially Graynor and Kevin Corrigan in a wordless cameo, enhance the proceedings considerably. --Kathleen C. Fennessy
Astral Weeks Live At The Hollywood Bowl: The Concert Film
Astral Weeks Live at the Hollywood Bowl: The Concert Film is an in-concert reworking of the musical legend’s historic 1968 gold-certified solo album. Astral Weeks Live at the Hollywood Bowl: The Concert Film was recorded live over two nights at the Hollywood Bowl in November 2008.
Van Morrison first released Astral Weeks when he was only 22. The recording immediately became a critically-acclaimed classic and is still considered one of the greatest albums of the rock era. The fall 2008 shows marked the first time Mr. Morrison ever performed Astral Weeks in one complete concert set. Joining him was an orchestral string section and a band composed of world-class musicians, some of whom played with Van on the original Astral Weeks sessions 40 years ago. During the first half, the artist performed a number of the timeless classics he is famous for while the second half was an awe-inspiring performance of the Astral Weeks album. Among the songs included on the concert DVD are: "Astral Weeks/I Believe I've Transcended", "Beside You", "Slim Slow Slider/ I Start Breaking Down", "Sweet Thing","The Way Young Lovers Do", "Cyprus Avenue / You Came Walking Down", "Ballerina", and "Madame George."
"The Hollywood Bowl concerts gave me a welcome opportunity to perform these songs the way I originally intended them to be", says Mr. Morrison, who amazingly held only one rehearsal prior to the concerts.
To rework Astral Weeks, Mr. Morrison added his signature stretching of songs in a manner unlike any before by creating new sections of songs live on stage.
Unbeknownst to Mr. Morrison at the time he planned the Hollywood Bowl shows, the concerts coincided exactly with the 40th anniversary of the release of Astral Weeks. He took it as a sign this project was destined to be. Astral Weeks broke new ground with its experimental free-flowing arrangements and deeply reflective songs. Mr. Morrison’s motivation to rework the music was to get back to his original signature sound: a blend of jazz, blues, classical and folk unique to Van Morrison.
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